{"id":20618,"date":"2022-03-31T20:43:17","date_gmt":"2022-03-31T18:43:17","guid":{"rendered":"https:\/\/2021.landshuter-kurzfilmfestival.de\/?page_id=20618"},"modified":"2026-01-25T15:02:26","modified_gmt":"2026-01-25T14:02:26","slug":"jury-3","status":"publish","type":"page","link":"https:\/\/landshuter-kurzfilmfestival.de\/en\/jury\/jury-3\/","title":{"rendered":"Jury 3"},"content":{"rendered":"\n
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Jury #3<\/h2>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\t\tShock Block\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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Bea \u201eLugosi\u201c Festerling<\/p>\n<\/p>\n

Born in 1970 in Wasserburg am Inn. After school, she gave up her studies in wood technology to organize punk concerts. As this proved to be unprofitable work, she began working in the editing room at the age of 21. She learned her craft on 16mm and 35mm editing tables. Today she works as a VFX and assistant editor (\u201cKung Fury: The Movie\u201d, \u201cBang Boom Bang\u201d), edits and produces genre films (\u201cLevizia\u201d, \u201cThirty2\u201d), and is a founding member of the cooperative film distributor Drop-out Cinema. In her spare time, she runs the curious film club \u201cHardboiled\u201d and the \u201cPunk\u2019n\u2019Roll flea market\u201d at the Backstage Munich and is a volunteer with the marine conservation organization Sea Shepherd.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\u00a0<\/p>\n

Benedikt Guntentaler<\/strong><\/p>\n<\/p>\n

studied Philosophy and Theatre Studies at LMU Munich for his bachelor\u2019s degree, with a focus on an aesthetic formal analysis of the early S\u00f8ren Kierkegaard. He is currently pursuing a double master\u2019s degree at the same university in Film and Media Culture Studies and Literary Studies. Since 2024, he has been writing as a film and theatre critic for the online magazine artechock, contributing festival reports as well as the podcast \u201cDas Filmquartett\u201d. In addition, he jointly runs LMU\u2019s student cinema, “ukino”, and in 2025 was active as a curator for the Young People\u2019s Choice segment of the international film festival UNDERDOX.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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Manuel Magno<\/strong><\/p>\n<\/p>\n

Born in the early 1980s, the German-Portuguese spent his childhood and youth in front of the television and cinema screen. Films such as Poltergeist, Gremlins and A Nightmare on Elm Street sparked his passion for horror and genre films at an early age. Over the years, his film collection on various media (VHS, DVD and Blu-Ray) grew alongside his music collection, which comprises the most important possessions for the trained drummer.<\/p>\n

After studying journalism, Manu wanted to express his passion for film publicly. Contributions to his blog manumeint.de enabled him to join the editorial team of \u2018Deadline \u2013 Das Filmmagazin\u2019. But he also wanted to be in front of the camera. Since 2016, he has been publishing reviews of current, crude and strange genre films over the YouTube channel \u2018Filmfressen\u2019 alongside his best friend Peter \u2013 and he does the editing. Since mid-2019, the two film buffs have been processing what doesn’t make it into a video in the podcast \u2018Cine:viel\u2019. <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section><\/div>\n","protected":false},"excerpt":{"rendered":"

Jury #3 Shock Block Bea \u201eLugosi\u201c Festerling Born in 1970 in Wasserburg am Inn. After school, she gave up her studies in wood technology to organize punk concerts. As this proved to be unprofitable work, she began working in the editing room at the age of 21. She learned her craft on 16mm and 35mm …
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